This course positions the artist / maker as an explorer of friction and resistance. Instead of traditional, meticulous printmaking or formal life drawing, you’ll learn to treat every layer as a means of discovery. By combining “low-tech” monoprinting with destructive drawing techniques, you’ll uncover your innate preferences for line weight, density, and contrast.
The Alchemical Mark (Printmaking & Drawing)
- Focus: Overcoming the fear of the blank page and finding organic textures using recycled items and “blind” drawing.
- What you’ll do: Use unexpected tools (like credit cards, sticks, and recycled trash) to make raw drawings and simple prints. You’ll learn to love unpredictable textures and discover your natural drawing style by doing things like drawing completely blind.
- Duration: 4 weeks (3 hours per week)
- Cost: includes specialized inks, plates, and archival paper
Weekly Breakdown:
- Week 1: The Blind Monoprint Monologue
Roll a thin layer of water-based ink onto a plate, place paper over it, and draw on the back completely blind using various tools (sticks, old credit cards, fingernails). This exercise bypasses the logical brain to reveal a student’s natural kinetic mark-making style. - Week 2: Resist & Erase (The Subtractive Canvas)
Coating a surface entirely in charcoal, graphite, or ink, and using unconventional erasers, sandpaper, or masking fluids to “carve” the image back out. - Week 3: Collagraphy from the Recycle Bin
Building quick, intuitive printing plates using textured trash (corrugated cardboard, mesh fruit bags, torn string). Printing these plates forces you to embrace raw, unrefined shapes and erratic textures that cannot be perfectly replicated. - Week 4: Tear up your prints from the past weeks and collage them back together to identify yousr visual style.
Finding Your Style Focus
The Style Compass: Keep a “Deconstruction Journal” where you deliberately tear up your prints, swap fragments with other works, and collage them back together. By looking at what elements you choose to rescue from a “ruined” piece, you identify your personal core aesthetic anchors (e.g., high-contrast geometric vs. soft, organic chaos).







