Material Immersion Sessions (Standalone Modules)
These are focused, 5-hour sessions dedicated to mastering a single material.
- Cost: includes a communal lunch
- Time: 10:00 AM – 3:00 PM
The 8 Material Themes (choose one of the following)
- Paper (structural possibilities)
- Fabrics (textiles and heirloom scraps)
- Fibers (wool, twine, and threads)
- Plastics (heat-shaping and design)
- Salvaged Wood (intuitive timber combinations)
- Wire (skeletal structural forms)
- Found Hardware (metals and textured patinas)
- Found Objects (sculpting with memory items)
The 5-Hour Day Structure:
- Hour 1: Learn about the material and safety.
- Hour 2: Fun, low-pressure practice exercises.
- Hour 3: Socializing over a communal lunch.
- Hour 4: Uninterrupted, focused time to build your project and destress.
- Hour 5: Group reflection, adding professional finishes, and celebrating the work.
A Raw-Materials Note
To ensure a successful rollout, I utilize a “Bring Your Own Archeology” model. Participants are encouraged to curate their own raw materials from home—this creates a personalized connection to the work and turns the gathering of materials into a mindful, pre-workshop ritual. The studio provides all specialized professional-grade tools and safety guidance.
A Selection Note
Look for items that “speak” to you through texture, color, weathered patina, or personal history. Do not worry about perfection—degradation is where the creative opportunity lies.
| Session | What Materials to Bring | Specialized Tools to Bring (If Owned) |
| 1. Paper Re-Bound | Old books, structural cardboard packaging, egg cartons, cement/agricultural paper bags, discarded maps, sheet music, or architectural blue-prints. | A stiff-bristled paint brush, a small plastic mixing container. |
| 2. Fabric Fusion | Discarded clothing, silk scraps, worn linen, heavy upholstery off-cuts, lace, or frayed textiles with unique patterns or weave structures. | Fabric scissors, heavy-duty sewing needles, thimble. |
| 3. The Weaver’s Loom | Natural wool, hemp twine, jute rope, colorful embroidery threads, or salvaged ribbons and discarded yarn scraps. | A small weaving shuttle (or a flat piece of stiff cardboard), wooden dowels or thick sticks. |
| 4. Plastic Metamorphosis | Cleaned single-use plastics (HDPE/PET bottles, colorful milk jugs, discarded plastic mesh bags, flexible packing plastics, industrial strapping). | A craft heat gun or heavy-duty hair dryer (if available). |
| 5. Reclaimed Timber | Weathered pallet planks, broken wooden crates, architectural salvage off-cuts, old wooden picture frames, or broken furniture legs. | A small hand saw, a sanding block (with 80 and 120 grit sandpaper), a hammer. |
| 6. Tension & Line | Scrap copper pipe/wire, old electrical cables, discarded wire coat hangers, rusty garden wire, or wire mesh/fencing scraps. | Wire cutters/side-cutters, a small ball-peen hammer. |
| 7. Heavy Metal & Patina | Discarded tin cans (cleaned), old license plates, rusty hinges, bracket hardware, bottle caps, or scrap sheet metal pieces. | Tin snips (aviation shears), a center punch or thick nail for piercing. |
| 8. The Found Object | A collection of disparate, non-precious items: old keys, clock parts, smooth beach stones, driftwood, broken ceramic shards, vintage cutlery, or industrial gears. | Any small bonding agents or clamps you prefer to use. |
FREQUENTLY ASKED QUESTIONS
I’m not a "professional" artist. Can I still take these courses?
Absolutely. These courses are not about technical accuracy or “perfect” art. They are designed to help you bypass your inner critic, unlearn rigid habits, and reconnect with the joy of making. Whether you are a beginner or an experienced artist feeling stuck in a creative rut, these courses provide the prompts and tools to help you find your own authentic visual language.
Are these courses focused on specific techniques?
Our focus is on process over product. While we explore printmaking, large-scale painting, and mark-making, the goal is to use these as vehicles for creative liberation. We prioritize experimentation, sensory memory, and “cognitive circuit-breaking” to help you move past perfectionism.
How are the courses delivered?
We offer two main ways to learn:
- In-Studio (Somerset West, Cape Town): A fully immersive, in-person masterclass where all professional-grade materials are provided.
- Remote Learning: Interactive guidance tailored to your specific creative goals, which you can complete from anywhere in the world using your own materials.
Are materials included in the price?
That depends on how you choose to join us:
- In-Person: Yes, all heavy mediums, large-scale substrates, and custom blending tools are provided.
- Remote: Materials are not included. You will receive a curated supply list to source your own tools, allowing you to work with your own preferred medium and budget.
How does the Remote Learning option work?
Our remote sessions provide the same rigorous prompt structures and style-tracking frameworks as our in-person courses. You will receive professional guidance and feedback tailored to your individual creative goals, with the added flexibility of working within your own studio space.
What is the cancellation/refund policy?
Cancellations are eligible for a full refund.
Can I schedule a session at a time that works for me?
We offer custom scheduling for both our in-person and remote sessions to ensure you get the one-on-one attention and guidance you need. Please contact us directly after booking to finalize your session dates.
Do you offer private or group sessions for organizations?
Still have questions? I’m happy to help! Contact me on info@jeanettegibson.com
